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18th May, 2013


jhetley

Life goes on. Mostly.

Word yesterday that a long-time internet friend has died.  Farewell, suzilem.  Her health had been on a sharp downhill slide, so it comes as release and no surprise.  But still . . .

Sunny, chilly, scattered clouds this morning. 34 F for the newspaper walk, calm.

Committing a grave family sin this weekend, Nephew getting married down in the DC area and we aren't attending.  We dislike both travel and crowds.  Leaving it to Younger Son and Daughter-in law to carry the flag.  They're social people.

bookview_blog

Nostalgia Vacations and Indoor Volcanoes

http://bookviewcafe.com/blog/2013/05/18/nostalgia-vacations-and-indoor-volcanoes/

http://bookviewcafe.com/blog/?p=32084

There was another report this week about the rise in the traditional British holiday. Part of this is down to economics – ever since the financial melt down of 2008 people have had less money to spend on overseas holidays – but, apparently, a larger part is down to nostalgia for our old childhood holiday haunts. We’ve done Europe. We’ve done the Far East. We’ve done the Caribbean. Now we want to re-create those magical childhood memories.

As someone who grew up in a British seaside resort in the 60s, this is a subject I know quite a bit about. Bournemouth was one of the Big Two holiday destinations for post-war Britain. As soon as the schools broke up in late July, the town would fill with holidaymakers. To get a good spot on the beach, you’d have to arrive before 8am – or be prepared to walk a mile or two down the beach away from the hotels and bus stops.

And families tended to visit the same resort – often the same B&B – year after year. It was an institution.

Then, in the late sixties, along came the package holiday to Spain and, suddenly, foreign holidays became affordable. The weather was hotter, more reliable and the whole holiday was different. It was an adventure.

In the following years more destinations were added and the prices continued to fall. British resorts declined. Some, like Bournemouth and Brighton, looked abroad to make up the short fall and set up language schools for foreign students to learn English. I did a tourism survey in Bournemouth in 1974 and found the majority of the 16-19 year olds on the beach were foreign students.

Now things are shifting back. A growing number of adults want to recapture the holidays they remember from their youth. Some want to see if everything is still as they remembered, some want to recreate their childhood family experience for their own children. I can see the appeal.

One vivid holiday memory I have is from a week spent in Butlins holiday camp in Minehead when I was nine. There was a place there called the Hawaiian Bar and it had a volcano that erupted every hour on the hour. I’d never seen anything like it. An indoor volcano! That erupts to order!

This was in the mid-sixties so you can imagine the technology would have been pretty basic. But to a nine year-old, who’d never seen anything like it, this was the height of sophistication. In fact everything about the Hawaiian bar was different. It had an indoor stream, a rock pool, and a bar with a thatched roof. And it was always dark. It was like an enormous magical cave. Outside there were clouds and spots of rain; inside there was magic and erupting volcanoes.

Given the choice I think I’d have moved in and would still be there today.

While on the subject of heights of sophistication and nostalgia, I wonder if it’s time to buy shares in Berni Inns? The Berni Inn was the place to go in the late sixties, and seventies. If a working class lad, like me, wanted to really impress a girl, we’d go for a meal at the nearest Berni Inn. They had starters! And not just any starter – it was prawn cocktail! And if you ordered a gammon steak, they’d put a pineapple ring on it! This was beyond the height of sophistication. This was living the dream. And there was Black Forest gateau for afters and you’d be expected to order wine with the meal. You could even have Blue Nun – the wine of choice for all seventies sophisticates – a sweet, fruity liebfraumilch.

Those were the days, my friend.


Chris Dolley is a NY Times bestselling author living in France with a frightening number of animals. His novelette, What Ho, Automaton! was a finalist for the 2012 WSFA Small Press Award for short fiction. More information about his other work can be found on his BVC bookshelf . An Unsafe Pair of Handsa quirky murder mystery set in rural England charting the descent and rise of a detective on the verge of a nervous breakdown. Which will break first? The case, or DCI Shand? Medium Dead – a fun urban fantasy chronicling the crime fighting adventures of Brenda – a reluctant medium – and Brian – a Vigilante Demon with an impish sense of humour. Think Stephanie Plum with magic and a dash of Carl Hiaasen. What Ho, Automaton! – Wodehouse Steampunk. Follow the adventures of Reggie Worcester, consulting detective, and his gentleman’s personal gentle-automaton, Reeves. It’s set in an alternative 1903 where an augmented Queen Victoria is still on the throne and automata are a common sight below stairs. Humour, Mystery, Aunts and Zeppelins! French Fried - the international bestseller – true crime, animals behaving badly and other people’s misfortunes. Imagine A Year in Provence with Miss Marple and Gerald Durrell. International Kittens of Mystery. If you like a laugh and looking at cute kitten pictures this is the book for you. It’s a glance inside the International Kittens of Mystery – the only organisation on the planet with a plan to deal with a giant ball of wool on a collision course with Earth? Resonance - “This is one of the most original new science fiction books I have ever read. If it is as big a hit as it deserves, it may well be this book which becomes the standard by which SF stories about … are judged.”


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17th May, 2013


seawasp

IO9 has a question on immense space constructs...

... It's right here.

I of course couldn't help but mention The Arena, but it'd probably be better if someone else mentioned it too. So if The Arena is your favorite, or one of your favorite, ginormous space constructs, head over there and comment!

kamanchee in little_details

(no subject)

Hi!

My MC is male, early thirties, and moderately fit. In the story, he's being unknowingly dosed by another character.

My question is what could be a possible cause for psychosis? He's bought a new apartment, and ever since he's lived there he's been hearing voices, feeling cold (which I think I'll have that due to the fact that the A. C. isn't working) and he begins to feel some paranoia. I want him to become convinced that his place is haunted by ghosts.

I read some people's experiences on drug-forums, and I was thinking either pure meth, amphetamines or LSD, but I don't how effective that would be. While I'm alright with a some side effects, I don't want him to realise that there's a completely unsupernatural reason that he's hearing things until further on in the story. Plus, I've read that substance psychosis normally happens to chronic users or after one large dose. Is there something milder?

I've googled substance psychosis, psychosis causes, auditory hallucinations, drugs that cause psychosis.

birdsedge

Movie of the Week: Star Trek Into Darkness

A great big YES!

Oh, sure there were probably plot holes, but this movie grabbed me, sucked me in and didn't let go until the credits rolled.

I am once more reminded of how Zachary Quinto's portrayal of Spock is perfect and Chris Pine makes an excellent Kirk. In fact all the casting is well done, especially Simon Pegg as Mr Scott. Benedict Cumberbatch makes an excellent villain and the unexpected role reversal between Kirk and Spock in a mirror image from a certain iconic scene from the earlier movie was a brilliant stroke.

I can't say too much without major spoilerage, so just go and see it. I think we're probably going again next Wednesday as it seems to a be a pretty slow week next week for anything new and exciting to watch.

endlessrarities

Just Dropping In...

I'm sorry,  I'm neglecting y'all I know.

I've got final edits for the novel to go through this weekend which means I'm going to be pretty much occupied on bookish things.

And then there's the plants.  The endless parade of plants...

I'm really going to have to take some photos before the petunias go outside and get slugged because in many respects, I've got some of the nicest petunias I've ever seen in my life.  Thomson and Morgan's 'Crazytunia' collections are just plain gorgeous, and there's another wonderful selection called 'Lake Garda' from Gardening Direct, too.  Not to mention a couple of petunia selections from J Parker which are equally striking.

So yeah, there will be photos taken, very soon.  The sun has at last come out here, and nature has gone into overdrive.  But I'll try and stay in touch - I promise!!

sartorias

(no subject)

relayed from malkingrey
For anyone out there who might be considering applying to the Viable Paradise Writers Workshop, the application period for this year closes on midnight of June 15th. Class size is twenty-four — with eight instructors on-site for the entire week, this makes for a fairly impressive teacher-student ratio (the nautically-minded among us like to think of it as hitting them with a full broadside.)

Viable Paradise is a one-week† residential workshop held annually in the autumn on the island of Martha’s Vineyard; the focus is on fantasy and science fiction, and the students can submit either short stories or an equivalent portion of a novel for workshopping.

†Why one week, rather than six weeks or a month, like some other workshops? Because not everybody out there in the world can free up that much time in one block. Students can, and people who have already committed themselves to some kind of major lifestyle change, but other people have things like families and day jobs. But almost anyone can hack out a single week — take that overdue vacation from the office, or stock the freezer with a week’s worth of pre-made casseroles and indebt yourself to your mother and your mother-in-law and the teenager next door for the necessary babysitting, and come spend a week with people who actually understand why you’re still obsessing about this writing thing.

In other areas, I've been doing Netflix either as hand relief or when it's been too hot to have the computer on safely (upstairs here retains the heat, abysmally well).

Some recent goodies: Indian film Lagaan, which means land tax, but if you think that word is boring, or the fact that the storyline is about sports (in this case cricket), well, it is and it isn't. Ordinarily I think it is impossible to find anyone less interested in sports than I am. But the three hours of this film snapped by because the characters were so compelling, the music so wonderful, the visuals so transcendently vivid. Wow. I think my only complaint is that one really gallant character got shoved into insta-love resulting in a Ruined Life, totally not deserved (nor did I believe said character would be so wimpy), but that is pretty minor.

Another really good one was Tony Palmer's documentary on the Salzburg Music Festival. Another three hours that passed by in a whiz. Rich with interviews with music stars, artists, descendants of same, it details the history of the festival, which was first proposed right before WW I broke out, then carried forward as a way of recovering from the war. When the Nazis overran Austria, they took that over, too, but after they were gone, their long shadow lasted in ways you wouldn't expect. Then there was the modern era (some felt overnight arrival with Karajan's death), and its sometimes problematical ways of making classical music hip, or bringing modern music to modern people.

I'd been wary because I'd once been burned by Palmer's self-consciously 'absurdist' documentary on Peter Sellers, which reminded me of the worst, most self-indulgent excesses of the early seventies. I recollect so much of that attitude kind of formed around the Beatles and the "If I poop on a plate, it's art" vibe. But he'd clearly got past that stage in his documentary making.

Another lovely one was called "Under the Tuscan Sun," a female-made film. The central woman is dumped by her husband who manages to take her house away, too. After the requisite period of shock (some of it is painfully funny) she is given a ticket to Italy by her best friend, who is now pregnant and can't go. So she goes, and ends up buying a wreck of a house, and tries to fix it up. As she does, she collects a family of oddballs, in this glorious countryside--a feelgood film. Wonderful acting.

seawasp

Podcast with Eric Flint and me...

on the Boundary series is now up on Baen's site. If you've never met me and wondered what I sounded like on an MP3 recording of a phone interview, here you go!

davegullen

Friday Flash – Jimmy Checks Out

Originally published at David Gullen. You can comment here or there.

Jimmy Checks Out

He’d caught a bullet.

Pow!

Snatch! Just like that.

He’d seen it coming he told them later. He’d snatched that motherfucker right out of the air. Burned his palm but that was OK. Anyways, it wasn’t a real bullet, it was a copy. Nice one, too.

How did Jimmy know? He knew because you couldn’t do that with real bullets. You couldn’t catch ‘em.

Jimmy flipped the bullet, caught it, and slipped it into his pocket. Guy who fired it wouldn’t mind. Guy like that, he’d have a whole bunch of bullets. He could spare a few.

~

The origins of this are pretty oblique, inspired by, but not necessarily about, book piracy. And that all came about from reading this blog post from Gaie Sebold.

watervole

Longsword

Had a great evening last night.

Anonymous Morris have a new band member, been with us for a few weeks now and fits in  very well. He's a gamer.  (there's a lot of geeks and gamers in Anonymous Morris)

We have a general policy of encouraging the band to learn a couple of dances - this allows me to get to dance, and the other musicians find it beneficial as it's easier to play for dancers when you have the sense of the timing that comes from actually having done it.  We also have several musicians who like longsword, so we've been working on a longsword dance mainly for the band (it only needs one person to play the music for longsword).

We're working on the Helmsby II dance which is mostly (though not entirely) traditional.  It's one of the most complicated dances out there - I figure that if it's worth doing longsword at all, then it's worth doing a showy one.

Asked Chris if he'd like to give it a shot, and he took to it like a duck to water, turning the correct way every time.  He says it comes of being both a musician and a mathematician and I agree.  Longsword is a bit of a mathematician's dance.  It's all topology and rotations and you do need to be able to visualise the patterns in your head.

In case you think it's an easy dance, I'm also working with a group of 8 year olds at a local school.  The last two weeks, we've been doing the 'double under'.  That's a single figure from the Helmsby dance (it comes up in a lot of longsword dances).  Most of the children have got it now, but a few are still struggling.  By next week, at least a third of them will have to relearn it.

a 'double under' is almost impossible to describe in words.  Here's an example from a web page I just found "1&2 make arch, 6 passes under turns under right arm, faces 1 stands close to and outside 2 making second arch with 1. 3 4&5 in turn pass under the double arch turn to left and return to places 3&4 passing under 5's sword get out as double over."  (you have to visualise dancers in a ring in numerical order from 1-6)

It's almost impossible to follow - even I'm finding it hard and I know what they're talking about.

If you look at this video of the North Skelton dance, you'll see a double under (repeated three times) at 1:45

North Skelton (named after the village where it was originally recorded) is the dance we are teaching the children (we're missing out the figure where everyone in turn goes over a sword, as we've only got 7 weeks in total).  My friend Paul is doing most of the teaching with the children - he's a retired teacher and taught his children longsword for many years - he's got a very accurate idea of how long it takes for them to learn the dance.

Chris got the double under right pretty much first try and every time after that.  And he had no problems with the pousette or the single over, etc. etc.

It is a lot easier when you are doing it with people who already know the dance, but even so, I was a very happy bunny.
This entry was originally posted on Dreamwidth where it has comment count unavailable comments.

stephanieburgis

Taking A Day Off

Whew! I hit my big rewrite deadline this Wednesday, exactly on time...and it feels good. Guess what else happened? We found a new house! We're still waiting to hear final confirmation that all the credit checks, etc., have gone through, but with luck, we should be able to move in exactly a month.

...Which will mean that we're moving when I'm 8 months pregnant. Eep! Plus we're moving into a smaller house, so we need to do a massive purge of stuff beforehand (not just books anymore!), not to mention getting the whole house clean and organized for the movers to work with...

But whatever! Sometimes we just need to stop and be happy about what we've got. Right now, I am happy that my pre-submission rewrites for Low Road are finally done, and we have a good house to move into before the new baby comes. Those are both really big sources of satisfaction and relief! (And please wish the book luck as it flies out into the publishing world!)

Also, about an hour after sending off my rewrite, as a reward for myself, I started reading an e-ARC of Jo Knowles's new book, Living With Jackie Chan - and oh, I fell in love. It is wonderful. You can read my full review on Goodreads, but here's the short version: if you're a fan of Sarah Dessen or just a fan of great characters, heartfelt stories, and a strong narrative voice, you will love this book. It's my favorite of all of Jo's novels so far, which is saying a lot.

I gave myself yesterday as a day off, because I needed it after the last, manic two and a half weeks of super-revision. I met a friend for cake at my favorite new cake café in town - tea and apple sponge cake, mmm! Afterwards, I helped MrD make a fun craft project. Then I spent the evening hanging out with more friends at a fun clothes-swap event, laughing and gossiping, eating more cake, drinking (nonalcoholic) apple ginger beer and taking home a sparkly new scarf, a knee-length waterfall cardigan (that luckily falls around my massive pregnancy belly!), and a sparkly beaded bag.

This morning, it was time to get serious again. I wrote 3,043 words of my next freelance project, which is due in just two and a half weeks. This weekend, I need to sort and clean the house like the madwoman - and, if I can, write another 2,000 freelance words as well, even though I won't have any long writing sessions to do it in. I am Back to Work, in every possible way...

But it's good to take the time to celebrate. It really is.

sfwa_admin in sfwa

Outrageous French Copyright Grab: ReLIRE Goes Live

Posted by Victoria Strauss for Writer Beware

Just over a year ago, I wrote about a new French law that, under the guise of dealing with the pressing issue of orphan works, implements a truly massive rights transfer.

The law empowers the Bibliothèque Nationale de France to create an online database of works published in France before 2001 that are currently out of print (this includes not just works by French writers, but foreign works translated into French). Once a work has been listed in the database for more than six months, the right to digitize it transfers to a collective management organization, which thereafter has near-unlimited power to exploit that right–including granting it to publishers without the author’s permission. The collective management organization will also be responsible for distributing (an unspecified portion of) the proceeds from such grants to rightsholders.

There’s a six-month waiting period between a book’s appearance in the database and the transfer of rights to the collective management organization. To be removed from the database, rightsholders–who are not currently being notified if their works are included–must opt out in writing before the six-month waiting period expires. If they miss that deadline, they lose control of the digital display and sale of their work, and can only demand removal by proving that that they are the sole holder of digital rights.

The database, known as ReLIRE, is now online,with an initial list of 60,000 books. According to a comprehensive post on the program by writer Gillian Spraggs, numerous problems have been noted, including data errors, inclusion of books published after the 2001 cutoff date, and inclusion of books still in print or already available in digital form. Also included are many translated works by foreign authors that are clearly not orphans.

Digital-hungry publishers are already taking advantage of the database. Spraggs writes,

It appears that 10,000 (one in six) of the books in the database have been opted in by the publishers. The ReLIRE website FAQ outlines what a publisher will get out of the arrangement:

‘You will have the possibility of having an exclusive publishing licence for 10 years, implicitly renewable, to exploit the book in digital form, without having to sign a contract with the author or the author’s successors in title for the digital rights.

Sofia [the collecting society] will contact the authors or the successors in title to pay them, in accordance with the terms set out in the publishing contracts’…

Two points that the FAQ discreetly avoids spelling out are:

1. The legislation specifically charges the collecting society with developing contractual relationships that will ensure the greatest possible availability of the works…This puts prospective publishers in a very strong negotiating position and more or less guarantees that the contracts agreed will be bargain-basement deals with very low royalty rates, regardless of the market value of the work.

2. Certain administration costs that in a normal publishing arrangement would be borne by the publisher will instead be borne by the collecting society, which will take them out of royalties (so all or part of them will be taken from the authors’ share of any income). These include the cost of contacting authors and estates.

For authors, Spraggs says, it is “a ripoff deal.”

Writers’ groups in the US are taking notice of this threat to copyright. The Science Fiction and Fantasy Writers of America  has sent the letter below (reproduced with permission) to members, a number of whom have already found their works included in ReLIRE.

Dear SFWA Members,

As many of you already know, the ReLire program currently underway in France has scanned many books it considers to be “orphan works” in order to make them available through a public database. This database has already been found to contain many titles that are clearly not orphan works or in the public domain, including a number by prominent SF and fantasy authors. A more detailed explanation of the program is available here.

As this is a program of the Bibliotheque Nationale Francaise (French National Library), the Board is currently discussing options for applying pressure to the French government to prevent further works by SFWA members from being scanned and made available through this program, and we invite any members who have connections with the United States Trade Representative or any relevant branch of the U.S. Government to contact us. For the moment, however, we are informing all members of the issue and making them aware of the process involved in finding out whether a work is included and how to request that it be removed from the database.

All parts of the ReLire website and database are available only in  French. The Society of Authors has produced translations of four key pages:

- The ReLire home page
- The Your Rights page
- The Search page
- The FAQ

Here is a direct link to the advanced search page. The search fields are Titre( Title), Auteur (Author), Editeur (Editor) and Date d’edition (Publication date). If you are aware of any works of yours that have ever been published in French, you are strongly advised to search under all of the first three fields, as the entries in the database have been found to have many typos. Please notify SFWA of any of your works that are found in the database, as that will be valuable information in our efforts to protest the program.

If you do find any novels, stories or any other works belonging to you in the database you may request to have them removed. Please note that at this time it appears as though you will need either a French identification card (only available to residents of France) or a valid passport to make the application. We are awaiting clarification on the question of whether any other forms of identification will be accepted.

Thanks to Aliette de Bodard, Lawrence Schimel, Michael Capobianco and Jim Fiscus for their help in researching and co-ordinating SFWA’s response.

If any of your works have been published in French, and you find them included in ReLIRE, see this step-by-step manual for applying to have the work removed. For many other helpful resources and links, as well as some of the writing/publishing community’s reaction to ReLIRE, see Gillian Spraggs’s blog post, French Copyright Grab: the Machine Creaks into Action.

Spraggs writes that a group of French authors are planning to challenge the new law on constitutional grounds. She concludes by urging all writers to protest ReLIRE:

Whether or not you find that any of the books on the list are by you, or contain works by you, make a complaint to your government about the ReLIRE project, and talk to any author societies to which you belong.

The Berne Convention says: ‘Authors of literary and artistic works protected by this Convention shall have the exclusive right of authorizing the reproduction of these works, in any manner or form.’ (9.1) This can only be overriden ‘in certain special cases’ and ‘provided that such reproduction does not conflict with a normal exploitation of the work and does not unreasonably prejudice the legitimate interests of the author’. (9.2) The Convention says of all the rights that are guaranteed under it: ‘The enjoyment and the exercise of these rights shall not be subject to any formality‘. (5.2)

By compelling foreign authors, in order to prevent their works’ being co-opted into collective management, to search for them on a database and request their removal, the French government has imposed an illegal formality on their exclusive exercise of the right of reproduction.

The ReLIRE scheme is in no sense a ‘special case’ within the meaning of Article 9.2. By intervening in such an outrageous manner in the fast-developing market for digital rights it interferes with the normal exploitation of the works and most unreasonably prejudices the legitimate interests of the authors.

Mirrored from SFWA | Comment at SFWA


jhetley

Gray morning (N+1)

World continues to disappoint me.  Meanwhile, our little patch of it contains mockingbirds.  And cats.  Not necessarily in the same place, mind you, but that can also be amusing.  Air temperature 48 F for the newspaper walk, overcast except for a bright slash on the eastern horizon, wind NNW at about 10 mph.

We seem to have a new lack-of-social-skills dog owner in the neighborhood.  Piles of dogshit on the grass and sidewalk make me antisocial.

bbc_doctor_who

The Name of the Doctor: Saturday at 7pm

http://www.bbc.co.uk/blogs/doctorwho/articles/The-Name-of-the-Doctor-Saturday-at-7pm

The Name of the Doctor

We’ve followed the Doctor and Clara as they’ve faced the Great Intelligence, an Ice Warrior, an army of Cybermen and even Angie Maitland. But the current series of adventures reaches a jaw-dropping finale with The Name of the Doctor, tomorrow (Saturday) at 7pm on BBC One.

The episode features the return of River Song, Vastra, Jenny, Strax and introduces the deadly Whisper Men… Someone is kidnapping the Doctor’s friends, leading the Time Lord toward the one place in all of time and space that he should never go. It’s a deadly trap that threatens to unravel his past, present and future… can the Doctor save his friends –and himself – before it’s too late?

Straight after the episode we’ll have some incredible extra content on the site including some very special videos, exclusive galleries and the latest quiz that tests your knowledge of The Name of the Doctor.

But if you can’t wait for the finale, don’t worry! You’ll find the latest Doctor Who trailers, an introduction to tomorrow’s episode and much more in the clips section. There’s also a gallery of images from the adventure and you can bring yourself up-to-date on the Doctor's friends and even watch Strax’s latest field report which covers tomorrow’s episode!

The Name of the Doctor begins tomorrow (Saturday) at 7pm on BBC One.


davegullen

Fiction and Climate Change

Originally published at David Gullen. You can comment here or there.

I’ve just finished reviewing Tony White’s riveting novel Shackleton’s Man Goes North for Arc magazine, a novel about the past, present, and future of climate change.

One thing he’s interested in is seeing how we can predict what the future may hold by looking at what is happening now.  And then he looks at what we humans are doing right now. As part of this he references the IPCC Special Report: Emissions Scenarios.

These scenarios are “alternative images of how the future might unfold and are an appropriate tool with which to analyse how driving forces may influence future emission outcomes and to assess the associated uncertainties.”

Now, the IPCC is a hugely important and influential organisation, and one that in my mind holds the authoritative high ground on pragmatic scientific accuracy, opinion and advice on this absolutely vital and urgent subject.  In its own words, the IPCC is

“the leading international body for the assessment of climate change. It was established by the United Nations Environment Programme (UNEP) and the World Meteorological Organization (WMO) in 1988 to provide the world with a clear scientific view on the current state of knowledge in climate change and its potential environmental and socio-economic impacts.”

So, people, this is my challenge: go read this report. Specifically, use the slide-bar on the left and go to page 10. Read the first sentence of the firs paragraph, top left. You’ll probably want to because when I read it in Tony White’s book I wanted to check this out for myself.  If you don’t want to, this is what it says:

“All scenarios describe futures that are generally more affluent than today.”

So that’s fine. Whatever happens with global warming we’ll all be better off.

I write a lot of fiction, I write a lot of SF, but I have to admit to a failure of imagination here, because I never thought of that one. Or perhaps it’s because you just couldn’t make it up.

On  the Antarctic peninsula tough little grasses and lichen are expanding their ranges as the climate warms. What are we humans doing right now? It feels to me like we’re all part of that band playing on the decks of the Titanic.

(Shackleton’s Man Goes South is a great, adventurous and passionate book. It was commissioned by the Science Museum, and you can read it free on their web site.)

~


khiemtran

On the road again...

Well, just as well I've spent the last few weeks getting to grips with Irish, because tomorrow I'm off to... Chengdu!

Photos and adventures, as usual, to follow...

bookview_blog

“Nahiku West” a Theodore Sturgeon Memorial Award Finalist

http://bookviewcafe.com/blog/2013/05/17/nahiku-west-a-theodore-sturgeon-memorial-award-finalist/

http://bookviewcafe.com/blog/?p=32132

Nahiku West by Linda NagataLinda Nagata’s novelette “Nahiku West,” originally published in Analog Science Fiction & Fact, has been listed as a finalist for the 2013 Theodore Sturgeon Memorial Award, for the best short science fiction of the year. The Sturgeon Award is a juried award, with winners selected by a committee.

“Nahiku West” has also been selected for inclusion in multiple best-of-the-year anthologies. The story is available from Book View Café in ebook version, along with a second story, “Nightside On Callisto.”

Find the full list of Sturgeon Award finalists here at Locus Online.


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bookview_blog

Stalking the Wild Muse: Writer Rituals & Habits

http://bookviewcafe.com/blog/2013/05/17/stalking-the-wild-muse-writer-rituals-habits-3/

http://bookviewcafe.com/blog/?p=31441

MusemedA series exploring the props, habits, and drugs that fuel the writer’s productivity. Past, present and future! Look for BVC writers, plus other authors we know and love.

By Brenda Clough

Fredereich von Schiller, the famous German dramatist, kept a drawer full of rotten apples in his desk.  He claimed that the whiff of decaying fruit inspired him to write. Another one of those writers it would have been very difficult indeed to be married to. Although it would be interesting to try the experiment — somebody find some apples and give it a go!

In an interview with the Guardian, novelist T.C. Boyle goes with music, saying:

I always listen to music while writing, so I have shortcuts to iTunes and Sonos on my desktop. I find that the rhythm of whatever piece is currently playing (classical or jazz, primarily John Coltrane, blowing away at this very moment) penetrates some deep place inside of me and helps remind me that writing is a lyrical activity.

This is a highly YMMV point; I need complete silence while I write, otherwise I can’t ‘hear’ my characters.


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16th May, 2013


mjw in little_details

split brain from head injury?

Hi all. I know a reasonable amount about what split-brain patients are like, but all the articles on them refer to a surgical procedure. Is it at all reasonable for someone to suffer a head injury that's vigorous enough to sever the corpus callosum, but not so vigorous that it kills them or causes cripplingly massive damage to the rest of the brain? The head injury element isn't absolutely critical to the plot -- I can age up the character and make him someone who had the surgery to treat epilepsy, if I have to. (Actually, there might be reasons to do this anyway. Hmm.)

The story is set in contemporary Seattle. I've looked up "split brain" on Wikipedia and "split brain head injury" and "accidental split brain patient" on Google.

ETA: It sounds like a severed corpus callosum without severe additional damage doesn't pass the sniff test. I'd considered the idea of a congenital defect, but I'm trying to keep this at or near short story length; the head injury bit doesn't buy me enough to justify the additional technical exposition required. Thanks!

jhetley

It's ALIVE!

Frank has been keeping me out of LJ all day long.  I think it's Frank . . . anyway:

Thursday floral report

First bicycle sighting of rhodora out in the bog, apples now blooming (both ornamental and functional varieties), and first lilac blossoms. The latter aren't yet up to prey-stunning strength.

Got out on the bike, got back alive. This latter bit is by no means guaranteed. Windier than I would have preferred.

15.27 miles, 1:11:46

bookview_blog

Spy Princess a Mythopoeic Award Finalist

http://bookviewcafe.com/blog/2013/05/16/spy-princess-a-mythopoeic-award-finalist/

http://bookviewcafe.com/blog/?p=32114

Spy Princess coverThe Spy Princess, a middle grade fantasy by Book View Cafe author Sherwood Smith, was chosen as a finalist by the Mythopoeic Society’s jury for the Award for Children’s Literature. Written when Smith was fifteen years old, and sensitively edited by Sharyn November of Viking Children’s books, The Spy Princess is followed by Sartor, published by Book View Cafe.

The rest of the nominees can be found at the Mythopoeic Society website.

 


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heleninwales

Success!

I think I have really and truly transferred everything over from the old computer now. The final thing was to plug in my old clicky keyboard (see icon). I did give the wireless keyboard a try, but it had all these extra fancy keys and I kept hitting the Windows key instead of the Alt and was being zapped into the Start Screen when I didn't want to go there.

I did wonder whether I would have to say goodbye to my faithful old keyboard. It dates back to the 1990s and I acquired it when the local nuclear power station closed and they donated a lot of old IT equipment to the study centre where I taught. But there's something about the sturdy clickiness that I really like, and I've kept it going all this time. it already had a converter to convert a large round plug into a smaller round plug. Now it also has a PS/2 to USB converter, plus a USB extension cable because the converter thingummy was too chunky to fit into the USB socket next to the other plugs.

The one thing I couldn't do in Windows 8 was set up an ad hoc wifi network to enable me to download Kindle books to my iPod Touch. We don't have wifi, preferring the speed and reliability of wires, so to connect the iPod to the internet, I had worked out how to make a connection using an ad hoc network. It was a little cumbersome, but it worked fine because when I'm at home the only reason for the iPod to access the internet is to download a Kindle book. I assumed I could do the same on the new computer, but a bit of Googling revealed that I couldn't.

Well, that's not entirely true. I could either resort to altering settings via a command line or download a program that would do it for me. I didn't fancy either, so instead I've set up the ad hoc network on the laptop that runs Windows XP. That will see me on for a year or so until the laptop dies.

The final final step is to dismantle the old computer and stow it safely in the garage, just in case there's something I forgot...

watervole

Sharpe's Dragon

 I've just finished reading a truly excellent fan novel on AO3.

Sharpe's Dragon is a crossover between the worlds of Sharpe and Temeraire, but I think people who are only familiar with Sharpe will still enjoy it.  

Take the Naoleonic Wars and add an aerial corps of dragons.

Take Moncey, a bit of a riff-raff among dragons, a small, ex-feral, independent minded and occasionally lonely dragon who happens to run into the South Essex while warning them of an attack.  Give him a slowly developing friendship with a man who is a bit of a riff-raff among officers, slightly feral and independent minded....

It's slow paced, with excellent historical detail and true to all the characters.

HIghly recommended.
This entry was originally posted on Dreamwidth where it has comment count unavailable comments.

bbc_doctor_who

BAFTA Celebrates 50 Years of Doctor Who

http://www.bbc.co.uk/blogs/doctorwho/articles/BAFTA-Celebrates-50-Years-of-Doctor-Who

In order to see this content you need to have both Javascript enabled and Flash Installed. Visit BBC Webwise for full instructions. If you're reading via RSS, you'll need to visit the blog to access this content

Update! The video montage along with a message from the Doctor and Clara is available to watch above!

The British Academy of Film and Television Arts (BAFTA) will celebrate half a century of Doctor Who during tonight’s prestigious British Academy Television Awards.

Jenna Coleman (Clara) will present one of the evening’s awards and a celebratory video montage featuring moments from the show’s history will be included as part of the ceremony.

Amanda Berry OBE, Chief Executive of BAFTA, said, ‘There are only a handful of programmes that have the quality and longevity of Doctor Who and the ability to put the nation on their sofas – or indeed behind them – year after year. BAFTA raises a toast to Doctor Who on its 50th birthday this year.’

Steven Moffat, Doctor Who’s lead writer and executive producer, commented, ‘This is a massive and exciting year for Doctor Who, so I'm thrilled that BAFTA are including a special tribute to the show. So thrilled, in fact, we're sending the Doctor's best friend, Jenna Coleman, to present an award. We're also sending the Doctor’s worst enemy, the Daleks, to exterminate lots of innocent people. Sorry, it's just what they do. Let us know if it's a Health and Safety issue.’

The awards ceremony will be hosted by Graham Norton at the Royal Festival Hall, London, and broadcast on BBC One at 8pm tonight (Sunday, 12 May).

bbc_doctor_who

Nightmare and More!

http://www.bbc.co.uk/blogs/doctorwho/articles/Nightmare-and-More

The Doctor We’ve a massive weekend ahead with the return of the Cybermen in Nightmare in Silver on BBC One, tomorrow (Saturday) at 7pm.

The episode is written by the brilliant Neil Gaiman and is partly set in Hedgewick’s World of Wonders - once the greatest theme park in the galaxy, but now the dilapidated home to a shabby showman, a dysfunctional army platoon and the charismatic Porridge. When the Doctor, Clara, Artie and Angie arrive, the last thing they expect is the re-emergence of one of the Time Lord’s oldest foes.  But the Cybermen are back… faster and more fearsome than ever!

It’s an episode full of fantastic new characters, humour, wild situations, scares and some truly awesome moments with the Cybermen…

Then, as the end titles roll and we all look ahead to the series finale, you can enjoy the new prequel to The Name of the Doctor, here on this site or via Red Button. Entitled She Said, He Said and written by Steven Moffat it’s the perfect way to get ready for another epic episode!

We’ll also have a fascinating look behind the scenes of Nightmare in Silver featuring Matt Smith and Neil Gaiman plus the ‘Next Time’ trailer for The Name of the Doctor which you’ll want to watch again and again… There’ll be two galleries of stunning production artwork, storyboard galleries and a behind the scenes gallery as well as our latest quiz and a fact file for the return of the Cybermen in the Fourth Dimension. All that - and one or two surprises – will be available right after tomorrow’s episode finishes.

But if you can’t wait, why not check out clips, the trailer and an introduction to Nightmare in Silver, visit the gallery of images from the adventure, read our exclusive interview with Neil Gaiman or remind yourself of just what the Doctor will be up against tomorrow…

bbc_doctor_who

Neil Gaiman Interview: Part One

http://www.bbc.co.uk/blogs/doctorwho/articles/Neil-Gaiman-Exclusive-Interview-Part-One

Neil Gaiman

Nightmare in Silver is written by the internationally acclaimed Neil Gaiman whose previous episode – The Doctor’s Wife – was a brilliant, bonkers, wildly enjoyable adventure that won plaudits and the 2012 Hugo Award for the Best Dramatic Presentation, Short Form.

He returns with a story that sees the Doctor once more facing the Cybermen, but this being Doctor Who and Neil Gaiman, nothing about the iconic enemy’s return is as you’d expect, from the Cybermen themselves to the people battling them. We caught up with Neil and quizzed him about how he ended up back in the world of Doctor Who and what we can expect from his latest inspired nightmare…

 

Question: You’re back! Hurray! How were you persuaded to return?

Neil Gaiman:  It began with an email from Steven Moffat. He said, ‘I know you’re too busy ever to write another Doctor Who episode… but would you like to make the Cybermen scary again?’  And I thought, Agghhhh! I do! I really do! I said,Yes, I’m in…

I thought it would be really fun to make the Cybermen scarier than they have been recently and then I got completely side-tracked by a mad, strange romp that just keeps getting bigger and odder in which the Doctor and Clara have taken two children to a big amusement park and they find themselves embroiled in a very peculiar galactic empire which has fought a battle against the Cybermen - and won…

Q: What can we expect from the Cybermen and the adventure in general?

NG: We’ve moved on a little bit, technologically, from the last round of Cybermen we saw, because we’re a bit further into the future. So instead of Cybermats, we’re now going to encounter Cybermites… We have to deal with various things we’ve had to deal with in the past, such as the Cybermen’s ability to take over people and transform them into Cybermen. And this time, it’s going to get very, very personal for the Doctor…

Q: It’s got a great cast! Could you tell us about them and the characters they play?

NG: I’ve been very lucky! Jason Watkins plays Mr Webley… He has a few waxworks and other things and made the rather foolish mistake of landing on Hedgewick’s World… and now he can’t get off. He’s really sweet and he is aided by Porridge who is played by Warwick Davis. And he’s wonderful! His performance is just brilliant. It’s funny. It’s charming, it’s deep… it’s very sexy! I’m very proud to have written his stuff.

We also have Tamzin Outhwaite. Tamzin is great! She plays a character who’s running a platoon – a captain. She’s grumpy and you rapidly discover that one of the reasons she’s grumpy is because this is a punishment platoon – they are in exile. These are people who’ve been in trouble and they’re being got out of the way… And she was sent there because she was not obeying orders, and now she’s going to have to make a big decision on whether or not she obeys an order…

Q: So, you’ve got the task of making the Cybermen scarier and this eclectic group of people… How did your story develop from this ‘original plot’.

NG:  The only problem with my original plot was that I had no idea what I was doing with the Doctor. I knew what I was doing for everyone else in the story but I really didn’t have anything for the Doctor to do, except he was going to play chess, which isn’t really interesting. And then I had an idea. And the idea wouldn’t go away. So I emailed Steven Moffat and said, ‘Look, I have a mad idea. And it’s something that I wouldn’t do for any other actor except Matt Smith. I think Matt could pull it off. [Neil laughs and briefly outlines the Doctor’s plot-line]. And Steven Moffat said, ‘Go for it!’

 

Massive thanks to Neil Gaiman for taking time out to talk to us. We’ll be bringing you part 2 of our interview with him very soon and Nightmare in Silver is on BBC One on Saturday at 7.00pm.

bbc_doctor_who

The Name of the Doctor: The Prequel

http://www.bbc.co.uk/blogs/doctorwho/articles/The-Name-of-the-Doctor-The-Prequel

Matt and Clara

The prequel to the series finale will be available to view on this site (www.bbc.co.uk/doctorwho) after the next episode of Doctor Who finishes at 7.45pm on Saturday, 11 May. You'll also be able to watch it from that time through the BBC's interactive Red Button service.

Written by Doctor Who's lead writer and executive producer, Steven Moffat, the intriguing prequel is called She Said, He Said and stars Matt Smith as the Doctor and Jenna-Louise Coleman as Clara. It's one of the show's longest prequels and explores how little Clara knows about the Doctor... and vice versa.

Catch the return of the Cybermen in Nightmare in Silver this Saturday at 7.00pm on BBC One and then watch the prequel to the finale immediately after the end titles have rolled, either here or on Red Button. The Name of the Doctor brings the series to a thunderous conclusion on Saturday, 18 May making this a very exciting few days for anybody who has ever enjoyed the adventures of a certain mad man in a box...

bbc_doctor_who

The Crimson Horror: Tomorrow at 6.30pm.

http://www.bbc.co.uk/blogs/doctorwho/articles/The-Crimson-Horror-Tomorrow-at-six-thirty

The Crimson Horror

The Doctor and Clara face The Crimson Horror on BBC One at 6.30pm, tomorrow - Saturday, 4 May.

It’s a brilliant episode written by stalwart Mark Gatiss, so expect plenty of action, chills, humour and a wonderful sense of the macabre. Screen legend Dame Diana Rigg plays the sinister Mrs Gillyflower and her real-life daughter, Rachael Stirling, is Ada. And if that’s not enough the adventure sees the return of the Paternoster Gang with Strax, Madame Vastra and Jenny all embroiled in the mysterious goings-on in Sweetville... As Matt Smith commented, ‘It’s nice having the Doctor and his gang back!’

The Crimson Horror is set during the Victorian era and we soon discover there’s something very odd about Mrs Gillyflower’s Sweetville mill, with its beautiful people and the perfectly clean streets that lead to it.  There’s something even stranger about the bodies being found dead in the area – they’re all bright red and waxy! When the Doctor and Clara go missing, it’s up to the Time Lord’s old friends, Vastra, Jenny and Strax, to rescue them before they also fall victim to the Crimson Horror!

Straight after the adventure finishes you’ll find the latest behind the scenes video featuring Matt Smith and Jenna-Louise Coleman that looks at the making of the episode – right here on the site. We’ll also have a range of new galleries, The Crimson Quiz, a fact file on the story plus the ‘Next Time’ trail for Nightmare in Silver.

But if you can’t wait for all that, check out our clips section where you’ll find an introduction to The Crimson Horror featuring Matt Smith and Dan Starkey plus two great preview clips and a trailer.

The Crimson Horror is on BBC One at 6.30pm, tomorrow - Saturday, 4 May.

bbc_doctor_who

We’ve Released the Sontarans!

http://www.bbc.co.uk/blogs/doctorwho/articles/Weve-Released-the-Sontarans

Kevin Lindsay as Linx Strax the Sontaran returns in The Crimson Horror and in his honour we’ve maximised coverage of all his race’s early encounters with the Doctor. That means you can enjoy a wealth of clips, galleries, fact files and more from stories including the Sontarans’ debut adventure back in 1973, their attempted invasion of Gallifrey and The Two Doctors.

We’ve listed all the major Sontaran adventures below so just click on the one you’d like to explore. Clips include the very first time we saw one of their faces, the Doctor defeating an entire invasion force with a risky bluff and the Time Lord gambling to save his home planet from a ruthless Sontaran plot. We’ve galleries from every single episode, fascinating behind the scene shots and exclusive content from the making of…

 

The Time Warrior: The Doctor’s first onscreen encounter with the Sontarans and Sarah Jane’s debut story!

The Sontaran Experiment: The Sontarans threaten an invasion of earth and only the Doctor can stop them…

The Invasion of Time: The Sontarans strike at the Doctor’s home planet!

The Two Doctors: Time itself is threatened and it takes two Doctors to stop the Sontarans this time…

 

Don’t forget, you can also check out more recent Sontaran encounters such as The Sontaran Stratagem/The Poison Sky, A Good Man Goes to War and The Snowmen.

Fans of Strax can see him in action in Vastra Investigates and The Great Detective, not to mention Songtaran Carols

And finally, if you’d like to face the Sontarans yourself you can always play the epic Adventure Game, The Gunpowder Plot where playing as the Doctor you get caught up in a massive war between the Sontarans and their eternal nemeses, the Rutans!

bbc_doctor_who

Brian Minchin confirmed as New Executive Producer of Doctor Who

http://www.bbc.co.uk/blogs/doctorwho/articles/Brian-Minchin-confirmed-as-New-Executive-Producer-of-Doctor-Who

Brian Minchin BBC Cymru Wales has announced that Brian Minchin is to be the new Executive Producer of Doctor Who, alongside showrunner Steven Moffat.

Brian Minchin is an Executive Producer in BBC Wales drama, currently working on The Game, a new Cold War spy thriller from Toby Whithouse for BBC One, and Wizards Vs Aliens, Russell T Davies’ hit show for CBBC. He has also worked as BBC Executive Producer on Dirk Gently and Being Human.

Brian produced the RTS award-winning and BAFTA nominated series The Sarah Jane Adventures, as well as the UK sections of Torchwood: Miracle Day and was Assistant Producer on Torchwood: Children of Earth.

Brian, who grew up in Aberystwyth, joined the department in Cardiff in 2005 as a Script Editor working on BBC One Wales drama Belonging, before moving on to network dramas Doctor Who and Torchwood in the same role.

Brian says: “I'm thrilled and excited to be joining Steven Moffat on a show that has meant so much to me over the years. I've watched in awe as Steven has taken Doctor Who to wild and imaginative places and I can't wait to get started on many more adventures with the Doctor.”

Faith Penhale, Head of Drama Wales, says: “I've no doubt Doctor Who will enjoy a very exciting time with Brian at the helm working alongside Steven. Since joining BBC Wales in 2005, he’s proved he has a fantastic eye for story and a sharp awareness of what makes a drama like Doctor Who unmissable."

Steven Moffat, Lead Writer and Executive Producer, adds: "When I first took over Doctor Who, Brian was there as script editor, and in the most difficult time of a new Doctor and a new era, was completely brilliant. We lost him to producing The Sarah Jane Adventures at the end of our first run. Rising talent keeps rising, is how I comforted myself back then - but now I am beyond happy that Brian has risen all the way back to Doctor Who, in his new role of Executive Producer. I look forward to getting hopelessly lost in space and time with him."

bbc_doctor_who

Would You Trust Clara?

http://www.bbc.co.uk/blogs/doctorwho/articles/Would-You-Trust-Clara

Clara

On Saturday we confirmed that the mystery of Clara Oswald will at last be solved in the series finale, The Name of the Doctor. ‘All I can say,’ Jenna-Louise Coleman told us,  ‘is that Clara hasn’t just met the Doctor three times before…’

But for now, the questions remain. How can Clara have died twice and yet still be alive and apparently unaware of her own impossibility and why has the TARDIS been so wary of her? Even the Doctor has admitted to his new companion, ‘I look at you every single day and I don’t understand a thing about you…’  

The Time Lord seems to have accepted she’s not, in his own words, a trick or a trap, beaming with relief as he exclaimed during Journey to the Centre of the TARDIS, ‘You’re just Clara!’

But if you were in the Doctor’s boots would you be quite so sure about ‘the impossible girl’? With all the mystery surrounding her, our question to is simple… If you were the Doctor, would you trust Clara?

See what others think and share your view by visiting the homepage and casting your vote in the section to the lower right hand side of the page.

bbc_doctor_who

Matt and Jenna on the Truth about Clara, the Finale and More!

http://www.bbc.co.uk/blogs/doctorwho/articles/Matt-and-Jenna-on-the-Truth-about-Clara-the-Finale-and-More

Matt Smith and Jenna-Louise Coleman

The current series has already given us some terrifying new monsters, familiar foes and even a journey to the centre of the TARDIS. But now Matt Smith and Jenna-Louise Coleman reflect on what adventures are in store and what they were like to create…

Next week’s episode is The Crimson Horror, written by Mark Gatiss. It sees the return of Madame Vastra, Jenny and Strax and features Dame Diana Rigg and her daughter, Rachael Stirling.  It’s the first time the pair has worked together on screen and they play two Victorian ladies who share a dark secret…

‘I loved working with Diana Rigg,’ Jenna reveals. ‘ I loved the way she operated and carried herself… It was great to sit back and watch how mother and daughter worked and their dynamic together.’ Matt agrees, adding, ‘It was an intriguing and creative experience watching mother and daughter work together… Dame Diana has had such an illustrious career and Rachael is a great actress.’

The following week the Doctor becomes embroiled in a Nightmare in Silver. The episode is written by Neil Gaiman and features new look Cybermen. Matt’s not giving much away but he does tell us, ‘I think they’ll surprise a few people…’ Neil Gaiman has confirmed his brief was to make the Cybermen scary again so we look forward to their return with a degree of excited trepidation!

The finale has the intriguing title, The Name of the Doctor, and Jenna lights up as she discusses it. ‘The finale story is such a fantastic idea; it’s epic and huge and filled with drama. It was really exciting to sit down and read the script,’ she enthuses.  ‘There are little bits and pieces which Steven planted a couple of years ago.  It’s just really clever and a crucial moment in the Doctor’s life that you get to explore with the best baddies!  I really think they are going to become another Moffat classic!’

Matt agrees about the ‘baddies’, a brand new enemy known as  the Whisper Men. ‘They’re truly terrifying!’ he tells us, before dropping a couple of hints about what else we can expect from the adventure.  ‘With the 50th this is going to be by far the biggest year in the history of the show.  And the finale is just the start.  It focuses on a pivotal moment in the Doctor’s life and the life of his companion…’

We can at last confirm that the finale will also solve the mystery around ‘the impossible girl’. Having remained tight-lipped about Clara, is Jenna looking forward to being able to talk about her character’s enigma? ‘I am, I can’t wait!’ she admits. ‘All I can say is that Clara hasn’t just met the Doctor three times before…’

Matt nods, but won’t be drawn into saying anything more about the finale. We press him and he finally relents. ‘It’s a complete game changer,’ he concedes with a smile, ‘…and it all starts now!’

Check out images for The Crimson Horror, Nightmare in Silver and The Name of the Doctor and don’t forget, the first of these adventures, The Crimson Horror, is on BBC One this Saturday - 4 May at 6.30pm.

bbc_doctor_who

Steven Moffat on the Finale, New Monsters and More!

http://www.bbc.co.uk/blogs/doctorwho/articles/Steven-Moffat-on-the-Finale-New-Monsters-and-More

Doctor Who's Executive Producer and lead writer, Steven Moffat.

We’re halfway through the current run of 8 episodes of Doctor Who and still have the 50th anniversary and much more to look forward to! So what better time to catch up with the show’s  lead writer and executive producer, Steven Moffat, to ask him about what we can expect from the future…

Question: Opening up the final part of this series we get to explore the Doctor’s time travelling machine in Journey to the Centre of the TARDIS, but what surprises can we expect?

Steven Moffat: We’ve already revealed that the Doctor has a swimming pool and the TARDIS has a problem with Time Zombies, but there’s much, much more than that.  We guarantee there will be surprises, but you’ll have to watch to find out exactly where we’ll be going as we finally explore beyond the console room.  

Q: Why did you decide to introduce creepy new monsters, The Whisper Men, in the last episode?  What was your inspiration for them?

SM: The great dilemma is that Doctor Who is never more like Doctor Who when it is introducing a new monster, but equally when it’s reviving a foe from the classic era.  Having brought back two of the classics, the Ice Warriors and the Cybermen, this year we wanted a brand new monster to create chills in the finale.  And the thought of stylish whispering almost faceless creatures was an idea that firstly scared me and that I thought would work well in an episode that looks forward and back.

Q: We know that the Cybermen return with an updated design, why did you decide to change them?

SM: One of the things that the Cybermen historically like to do before involving themselves in a new military campaign is run up a new outfit. Throughout the classic series they always changed their appearance and we’ve been very consistent with them.  I thought it was time that they went back to their tailor and had a re-model!

Q: How was it having mother and daughter Dame Diana Rigg and Rachael Stirling on set for The Crimson Horror?

SM: It’s obviously a great honour to have either of those actors on the show, but to have them acting together for the very first time on anything is quite extraordinary.  Only Doctor Who can do this and possibly only when Mark Gatiss is behind it.

Q: What can you tell us about the finale?

SM: It’s full of surprises and questions that have never been answered in the history of Who, including the Doctors greatest secret. We’re not pretending, we’re not kidding, it’s actually going to happen.  The episode is called The Name of the Doctor and involves our hero in a conflict that is very, very personal to him.  Usually he’s saving other people, but this time he might be the one who needs to be saved.  We’ll also find out what makes his new companion so impossible and there’s a surprise that no one has got right so far, and one that will change the course of Who forever!

bbc_doctor_who

The Journey Begins on Saturday at 6.30pm.

http://www.bbc.co.uk/blogs/doctorwho/articles/The-Journey-Begins-on-Saturday-at-630pm

Journey to the Centre of the TARDIS

Journey to the Centre of the TARDIS begins tomorrow (Saturday, 27 April) on BBC One at 6.30pm.

Discussing the episode and how it opens up the TARDIS as never before, Matt Smith commented ,‘I think all of us who are fans have always wanted to see what is beyond…’ and this ambitious adventure certainly delivers on that score!

The action starts when a spaceship salvage team drags the TARDIS from onto its vessel, causing all sorts of crises on board the time machine. The Doctor realises Clara is trapped and in huge danger within his malfunctioning ship and enlists the motley salvage crew in a bid to rescue her. Pursued by a threatening group of ossified monsters he’s soon locked in a race against time to find Clara and save his TARDIS!

Straight after the adventure finishes you’ll find the latest behind the scenes video featuring Matt Smith and Jenna-Louise Coleman that looks at the making of the episode – right here on the site. We’ll also have a special quiz that checks out how much you really know about the TARDIS, a brand new fact file in the Fourth Dimension plus a range of new galleries that include over a dozen behind the scenes shots, some fascinating production artwork and many exclusive storyboards.

But if you can’t wait for all that we’ve got already got preview clips, an introduction from Matt Smith and the trailer in our clips section… and check out some incredible images from the adventure in the latest galleries. It’s a great way to get in the mood for the journey of a lifetime!

Journey to the Centre of the TARDIS is on BBC One, tomorrow (Saturday, 27 April) at 6.30pm.

bbc_doctor_who

A Pair of Feet

http://www.bbc.co.uk/blogs/doctorwho/articles/A-Pair-of-Feet

A pair of feet

This is the photo of some familiar footwear that we tweeted yesterday…

The shot was taken yesterday - Wednesday, 24 April - on the set of the 50th anniversary special.

You can find out more about the filming of the adventure and catch up on the latest casting news!

bbc_doctor_who

Doctor Who ‘Create a Soundtrack’ Competition

http://www.bbc.co.uk/blogs/doctorwho/articles/Doctor-Who-Create-a-Soundtrack-Competition

Doctor Who A brilliant new competition is giving young people the chance to create a soundtrack to a recent clip from Doctor Who that will be showcased at the BBC Proms in 2013!

Music has always been a vital part of Doctor Who and BBC Learning and BBC Proms today announced a competition to inspire all UK secondary school students (aged 11-16) to get involved with this side of the show. The challenge is simple – we’re asking young people to create a short soundtrack to accompany a scene from the Doctor’s adventures.

Entries will be judged by top composers, including Ben Foster (conductor and orchestrator for Doctor Who and composer for Torchwood) and winners will be mentored by professional composers. The winning soundtracks will be showcased within the Doctor Who Proms on 13 July and 14 July, 2013… but hurry! The closing date for entries is Friday, 24 May, 2013.

Feel you need help? Don’t worry! We’ve got a special film full of great pointers along with a suite of videos that provide an insider’s guide to music technology and don’t forget to watch the two scenes we’re asking your soundtrack to accompany. And if you need more inspiration, take a look at where your music could be heard... The winners will have their soundtracks premiered at the Doctor Who Proms on 13 July and at the following day’s Doctor Who Proms.

You can find all the information, clips and files on our competition page. You can download and fill in the all-important application form and please read the terms and conditions which also include details about age groups, how schools should get involved and what teams are allowed to take part.

Don’t worry if you’ve never written a note of music before… Take a look at the special videos on the competition page, carefully read the application form and T&Cs and then just be bold, creative and have fun!  Best of luck to everyone diving into a world of music and as the Doctor would say – well, shout – Geronimo!

bbc_doctor_who

The Name of the Finale

http://www.bbc.co.uk/blogs/doctorwho/articles/The-Name-of-the-Finale

The Name of the Doctor The title of the series finale has been revealed and is the hugely intriguing: The Name of the Doctor.

The ‘poster’ for the series’ final adventure (above) was unveiled today and it also confirms that Alex Kingston is back, joining Matt Smith and Jenna-Louise Coleman for what promises to be a jaw-dropping end to a spectacular series.

But we’re not there, yet! We’ve still to unravel the mystery of Clara – the woman ‘twice killed’ and yet still by the Doctor’s side… What secrets does she hold? And in the weeks ahead we’ve a trip to a haunted house, a journey to the centre of the TARDIS and a nightmare clash with the mighty Cybermen. But after all those adventures we have The Name of the Doctor and stand by for something that you might always have believed to be impossible

You can see all the posters for the final four episodes of the series in our latest gallery and Doctor Who continues tomorrow at 6.45pm on BBC One with Hide.

bbc_doctor_who

Tomorrow at 6.45pm: Hide!

http://www.bbc.co.uk/blogs/doctorwho/articles/Tomorrow-at-645pm-Hide

Hide There are thrills and chills in the Doctor’s next adventure when the TARDIS brings the Time Lord and Clara to a stormy night in 1974…

At Caliburn House they meet the mysterious Major Alec Palmer (Dougray Scott – Mission Impossible II), and gifted psychic Emma Grayling (Jessica Raine -  Call the Midwife) who are conducting a dangerous investigation into a spooky spectre known as the Witch of the Well. It’s not long before the Doctor is involved in their ghost-hunt but the apparition might not be the only one with secrets… Why did the Doctor really choose to visit this haunted house? Is the Witch of the Well the only ‘phantom menace’? And will we find out more about Clara, the impossible girl? The answers make Hide an episode you definitely need to seek out…

Right after the adventure finishes we’ll have a special behind the scenes video featuring Matt Smith and Jenna-Louise Coleman that looks at the making of Hide. We’ll have the usual quiz, a specially extended fact file in the Fourth Dimension plus a range of new galleries covering some striking production artwork, storyboards and several exclusive behind the scenes shots. All that and much more – right here, right after tomorrow’s episode!

Hide is on BBC One, tomorrow (Saturday, 20 April) at 6.45pm.

bookview_blog

Writing Tools and the March of Technology

http://bookviewcafe.com/blog/2013/05/16/writing-tools-and-the-march-of-technology/

http://bookviewcafe.com/blog/?p=32026

Kaypro III bought my first computer thirty years ago, a Kaypro II. It was state of the art for the personal computer: no hard drive, of course, but duel floppy drives so you could run software on one and save your work on the other.

The operating system was CP/M. I picked the Kaypro because I’d read that the CP/M operating system was the one most likely to survive. Microsoft was still an upstart back then.

It was “portable,” meaning that it closed up into something about the size of a sewing machine and could be carried with you if you didn’t mind lugging around a 20-pound object. No battery, of course. You couldn’t really take it to the coffee shop.

I bought it for writing fiction and doing legal documents. It cost about five times as much as a correcting Selectric typewriter, but it made it so much easier to revise and didn’t require accurate typing ability. And you didn’t have to have a hard copy of everything.

I didn’t use it to communicate with others, didn’t get on bulletin boards and the other chat stuff going on back then. It was strictly an advanced writing tool.

Fast forward to today: I have three computers: a laptop, a tablet, and a smartphone. Each one of them is so much more powerful than that Kaypro it makes my head spin. They’re imminently portable — all three together weigh maybe five pounds. I can and do travel with them all at once.

And the three of them together cost about the same as the Kaypro cost in 1983, and that’s not taking inflation into account. If you consider that, the three of them together probably cost less than half of what I paid for the Kaypro.

Of the three, only the laptop is intended for the same purpose as the Kaypro: to be a writing tool. Of course, it does much more than making it easier to write and save what I write. I also use it for research, for submitting work (very few publications want hard copies these days), for general communication, for reading the news, for paying bills. The Kaypro was little more than a fancy typewriter, though you could also program on it and there were a few games.

But here’s the thing: If I wasn’t a writer, I wouldn’t even need the laptop. For most of my non-writing needs, the tablet and the phone do more than enough.

Back when I bought the Kaypro, I didn’t even know I needed devices that would do what my phone and tablet do. I had a landline. I went to the library. I bought books. I had a TV and a radio and a stereo, not to mention a camera and a tape recorder. I wrote letters (well, at least to my grandmothers). I made phone calls. I sent postcards. I subscribed to newspapers and magazines.

I still have some of the devices (not to mention the books), but only because I acquired them when they were necessary to do the things they do. I wouldn’t buy them today. The tablet and the phone replace pretty much everything I need for communication, entertainment, reading, and even documenting my life.

A few years ago I didn’t even know I needed those items and now they are essentials.

But the laptop: that’s for work. In fact, in my office I have it hooked up to a large monitor and use a full size keyboard and mouse, because when I’m working I like to see as much of the document as possible and I like to have all the bells and whistles of a larger keyboard. I can write on the laptop without those things, but it is more physically exhausting.

I can write on the tablet — if I use the keyboard that comes with it — but only for short bursts. The tablet is fine for email — hell, the phone even works for email — but it isn’t good for long bouts of work.

If you’re a student or a programmer or a designer or a videomaker or a maker or a scientist setting up research studies or a publisher or running a webhosting service or doing any one of thousands of jobs that require processing power and to be able to see what you’re doing, you need a laptop or desktop computer, or even a much more powerful computer. You can do many of these things on a phone or tablet, but it’s harder.

But for most things, you can get by with a smartphone. Videos and books are better on a tablet, but the phone is the crucial item. There’s a reason why the mobile phone — so much more than a phone — is the one device that’s becoming ubiquitous worldwide, even in countries where ordinary people lack other necessities.

Even when I bought the Kaypro, I couldn’t conceive of where all these things were headed. I’m sure there were people working on the Internet and programming who saw some of it, but I bet even most of them didn’t see that they’d be carrying a powerful computer around in their pocket. I read and wrote science fiction back then, but science fiction is about possibilities, not about prediction.

It’s popular to complain about this world, to point out the problems caused by our high tech obsession, to whine about how things are better with books. Sometimes I feel that way, too.

But not today. Today I’m just marveling at what we’ve got.


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pico_the_great in little_details

scalenohedral crystals

Hey, Little Details! Have I got a question for you :D

So. I'm drawing a comic (graphic novel, sequential art, whatever you please to call it - I just think of it as a story I tell with pictures) and I need help with a type of crystal I came up with. It's a type of mineral with the perculiar property of making people/things do certain things (varies according to type/location mined/etc), and it makes for fun times with my main characters.

Everywhere it's appeared so far, it's been a particular shape, and I am of the opinion that it must grow that way. Some googling led me to the word "scalenohedron", and that looks like how I've been drawing it. I goog'd "scalenohedral crystals" and got some good naturally-occurring examples of the shape - rhodochrosite is a particularly fine one. However, when I then googled some of these minerals (rhodochrosite again, for example, but calcite is another), I came up with crystals in other shapes (because calcite apparently thinks it's hilarious to look like anything).

What I want to know is these things:

1) when I draw them in the mine (as I will eventually), will I need to include variously-different-shaped (that is, scalenohedral, octohedronal, prisms) crystals in one area? I would assume crystals with the same type of shape and cleavage all grow in one area - certainly when I look at them on the goog, in their own matrixes they're all of one shape (like: no cubic crystals growing on top of prisms).

2) are scalenohedrons weird? that is, should I include crystals of different shapes, or is it okay to stick with what I've got?</i> I'm still pretty early in the comic, so I can start sticking in some different shapes if necessary, but I'd really like to keep to scalenohedrons because they're pretty :D

3) Is there anything else you-the-geologist think I-the-writer/artist should keep in mind? I like geology and minerals a lot (♥ the rocks & minerals section in the NMNH), but I don't know what else I should automatically know about how these guys grow or form that would be obvious to a geology buff. Can you tell me if you think I'm missing anything?


Aaaand that's pretty much it. Thanks in advance for any help you guys can offer!

15th May, 2013


klwilliams

(no subject)

I got a text from Chaz today, saying to call him immediately as soon as I was in a private place. All of that was alarming, especially the part about calling him. I was afraid it was about his mother, but it wasn't, fortunately. It was about my father.

I called my stepmother, who was in tears and difficult to understand, but my father had just died. She was in the hospital, dealing with things. I told her I'd call my brother and my aunt, and I'd call her this evening. Then I cried.

When I called, she told me he'd had brothers with his heart rate this past weekend, going from very fast to very slow. She'd taken him to the hospital, and the doctors said that they didn't know what was up, so she brought him home on Sunday. He'd been using oxygen at night, but today he was having problems breathing. He'd been diagnosed with emphysema years ago, but when he stopped smoking I didn't hear any more about it. Pen (my stepmother) took him to the hospital today, where he had a heart attack.

We're working on things like figuring out when the memorial service will be, and when my brother is going out (tomorrow) and when Chaz and I are (probably Sunday). It will be good to see Pen and Benjamin (my baby brother, who just turned 10) again. I'm sorry that Chaz didn't get to meet my father. I already miss Dad, but I wasn't surprised at his passing. He'd been moving that way for a while.
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bookview_blog

WWW Wednesday 5-15-2013

http://bookviewcafe.com/blog/2013/05/15/www-wednesday-5-15-2013/

http://bookviewcafe.com/blog/?p=31748

It’s WWW Wednesday. This meme is from shouldbereading.

To play along, just answer the following three (3) questions…

• What are you currently reading?
• What did you recently finish reading?
• What do you think you’ll read next?

• What did you recently finish reading?

Our Magnificent Bastard Tongue, by John McWhorter. It’s a history of English, but it doesn’t focus on the vocabulary changes that I’m already familiar with; instead, it digs into the grammatical shifts along the way. Which is much more fascinating than it sounds: I hadn’t realized how much of its grammar English shed in between Beowulf and today, and why. My only disappointment is that there’s an interesting political discussion to be had about that, which McWhorter mostly shies away from.

• What are you currently reading?

Power of Three, by Diana Wynne Jones. I did a re-read of all her books after she passed away, and in cleaning spam comments out of my post on this one, I found myself in a mood to pick it up again. It’s hard to summarize without giving spoilers, but it’s a great story about curses and cooperation and family and, oh, all kinds of things.

• What do you think you’ll read next?

I need to read Samuel R. Delany’s About Writing: 7 Essays, 4 Letters, & 5 Interviews for a course I’ll be teaching this summer, but I’ve been doing a lot of “work” reading lately, so I may pick up something else light and quick first.

What about you? What have you been reading lately? Put the link to your WWW Wednesday entry in comments, or just tell us!


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jhetley

Follow-up

Well, they found the last two snowmobile drivers in that lake.  Relief for everybody, including the people who draw drinking water from it . . .

melissajm in ra_log

Fireside

Wow, the dry spell is over! 17-day acceptance from Fireside.
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klwilliams

My BayCon schedule:

I realize I'm falling short in providing a new photo of a cat, but instead I have something a little meatier (and no, I don't mean a photo of Barry). BayCon is held every year on Memorial Day weekend (the last weekend of May), and I'll be on the following panels. Come see me (and the other cool people on the panels). I'll be moderating the Self-Promotion and Publicity panel, and I'm interested in seeing what the panelists will say in answer to my questions.

Fairy Tales and Mythology on Saturday at 2:00 PM in Winchester
(with Juliette Wade, Jenna M. Pitman (M), Irene Radford, Margaret McGaffey Fisk, Beth Barany)

What are we teaching our children about the fairy tales and mythology in today's media, or even as bedtime stories? Are we staying true, or drifting?


Self-Promotion and Publicity for Writers on Saturday at 4:00 PM in Lafayette
(with Lex Parisi, Tony N. Todaro, Bob Brown, Beth Barany, Karen Williams(M))

So you've figured out this whole writing thing and your work is finally out there. Wouldn't it be great if people actually bought it? Just because the publisher bought your book doesn't mean they're going to publicize it. Learn the whys and hows of self-promotion from the experts.


Evolution of Female Characters on Sunday at 4:00 PM in Lafayette
(with Jenna M. Pitman (M), Karen Sandler, Ingrid Paulson, Lynn Ward)

From damsels in distress to sword-wielding, gun-toting, and military masterminds, have women found their place, or are they 'feminized' men? Do the women truly reflect changing attitudes about the roles of women?

orange_fell in little_details

[ANON POST] Severe Knee Injury?

Hello! I'm having a little trouble researching about the treatments for what I'm doing to my MC in my fanfic.

The MC is male and in his thirties and fit. It's set in modern day UK. There are slight superpowers and such at work, although it's not really important to his injury (other than the fact that someone with super strength hurt him)

Anyways, it's a pretty severe injury, because the bad guy repeatably abuses the knee in hopes that the MC will never walk normal again. My main thing is that I have to do as much damage as possible without amputation, because it's important later in the story that he has both legs (one of them being pretty damaged)

I have a question about surgery, because the character has ACL/MCL and other tears that need to be fixed, but i read that they usually leave the surgery for a week to let the swelling go down. If the MC also has a broken/shattered kneecap do they automatically need to do surgery on that? or do they wait for the swelling to go down on that as well? Also, for any of those who have had kneecap issues and such, to repair an injury like that do they put pins and such in your knee to help stabilize it (and remove them after a couple of years). Do you also need to wait for the kneecap to heal before you start doing physio? I know starting physio quick is important but considering he has so much damage done do they wait for him to heal, or do they just start him ASAP so it will help him in the long run?

Research: (everything from google) Shattered kneecap, ACL tear... pretty much all the tears you can do... Recovery from those. Kneecapping (which is pretty much what I'm doing, minus the gun.. but i can't find a lot of prognosis on it)

I can find good information on the individual injuries, it's just with all of them together that's leaving me a bit overwhelmed. I've read through some of the knee injuries tags here... http://little-details.livejournal.com/3264597.html that one does a really good example of the actual physio (and I'm probably going to use her example)

Any examples or suggestions would be great. It's really important that even after about 6-8 months of physio the MC still has major issues with his mobility, and does not have a good prognosis of his leg getting much better, so I'm trying to make it as serious as possible, without going overboard.

orange_fell in little_details

[ANON POST] US Military Promotions

I have a military-related question. In Lois McMaster Bujold's Memory, we discover that officers can be promoted to one rank higher than their original one when they retire; Emperor Gregor promotes Miles to captain when he (Miles) retires, even though he was only a lieutenant. Unfortunately, my knowledge of the US military is *cough* not quite as extensive as my knowledge of Bujold's military. My army brat father has informed me that officers in real world militaries are sometimes promoted right before they retire, but even after Googling things like "military promotions retirement," I have no idea if the US army does this, let alone under what circumstances they might do it. Does anyone have any idea?

Setting is modern-day US army.

orange_fell in little_details

[ANON POST] Practice of Hinduism by a college-age musician

I'm looking for what sorts of shrine or offering might be appropriate for a young Hindu male musician going to college.

Setting: Modern (2012), an unnamed college on the East Coast of the US.

Ramanik (Ram for short) was born in India (I haven't decided exactly where yet) but immigrated to the US with his family as a young child. They belong to the Brahmin caste, and his family is about middle class in the US. Ram is a talented and devoted musician (flute, piccolo, and other woodwind dabbling), and he's working towards a performance degree.

He's quiet about it, but still religious, and he follows the vegetarian ideal. I know that the practice of Hinduism can be so individual that I'm not sure what devotions would be realistic for him. Right now, I'm considering a small icon of Ganesha in one of his various (32, 12, depending on the source) forms -- based on anecdotes from a ethnomusicology professor, who plays the tabla -- with the icon in his room, with sweets offered regularly.

This is something I'd like to get respectfully correct, which is why I ask. If any of this seems off, I would love to hear the feedback of those more familiar with this kind of thing.

Search terms: Various combinations of Ganesh, Ganesha, forms of Ganesh, Ganesha attributes, Hindu music/musicians and gods, vedic instruments, Dvija Ganapati,

jhetley

A beautiful day in the neighborhood

Wood anemones blooming, leatherleaf and bog rosemary and cottongrass, and some rhodora blossoms opened between our going forth and coming back on the boardwalk.  We walked, we saw things, we heard things, and we didn't get eaten.  All good outcomes.

sartorias in athanarel

Spy Princess . . .

is a finalist for the Mythopoeic fantasy award for childrens lit.

Finding that out yesterday zapped me right back to Oxford, England, in December of 1971, when I sat on those hard benches in the Bird & Babe, wondering what it felt like to talk stories with the Inklings, and thinking wistfully about that story (five years old at that time) wondering if anyone would ever read it.

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